"Symphony No.2 in C Minor - "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - Live" by Gustav Mahler, Christa Ludwig, New York Philharmonic, Leonard Bernstein was released on November 11, 1987. Symphony No.2 in C Minor - "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - Live is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The track order of this song in Gustav Mahler, New York Philharmonic, Leonard Bernstein's "Mahler: Symphony No.2 "Resurrection"" album is number 4 out of 25. Based on our statistics, Symphony No.2 in C Minor - "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.2 in C Minor - "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - Live by Gustav Mahler, Christa Ludwig, New York Philharmonic, Leonard Bernstein to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Peter Grimes, Op.33 / Prologue: "Peter Grimes!" | Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 104 BPM | ||
Don Quixote, Op. 35: Introduction | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | G Minor | 1 | 6A | 65 BPM | ||
Wozzeck / Act III: Scene II: Forest Path by a Pool. "Dort links geht's in die Stadt" | Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 83 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Madama Butterfly / Act 1: Sorride Vostro Onore? | Giacomo Puccini, Christa Ludwig, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | ||
Götterdämmerung, WWV 86D / Prologue: "Mehr gabst du, Wunderfrau, als ich zu wahren weiss" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 71 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro - Live | Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein | C Major | 1 | 8B | 105 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 94 BPM |