Arthur Sullivan, Valerie Masterson, Pauline Wales, Christene Palmer, Jean Allister, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey made "17. You may go, for you're at liberty" available on January 1, 1968. With 17. You may go, for you're at liberty being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 3 out of 40. In terms of popularity, 17. You may go, for you're at liberty is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 17. You may go, for you're at liberty by Arthur Sullivan, Valerie Masterson, Pauline Wales, Christene Palmer, Jean Allister, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Tosca / Act 3: "O dolci mani!...L'ora! Son pronto!" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, John Tomlinson, National Philharmonic Orchestra, Nicola Rescigno | F♯ Major | 1 | 2B | 63 BPM | ||
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" | Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 173 BPM | ||
Puccini : La bohème : Act 4 "Che avvien?" [Schaunard, Mimì, Rodolfo, Musetta, Marcello] | Giacomo Puccini, James Conlon, Orchestre National De France | F Minor | 3 | 4A | 87 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
The Mikado: Act One, "Comes a Train of Little Ladies" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | G Major | 2 | 9B | 75 BPM | ||
When all night long a chap remains | Arthur Sullivan, Kenneth Sandford, The New Symphony Orchestra Of London, Isidore Godfrey | G Major | 2 | 9B | 62 BPM | ||
"Night has spread her pall once more" | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | B♭ Major | 2 | 6B | 77 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Contro un cor che accende amore (Rosina/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 1 | 7B | 135 BPM | ||
All I Ask of You (from the Phantom of the Opera) | Thomas Allen, Valerie Masterson | C Major | 1 | 8B | 130 BPM |