"Pelléas et Mélisande, (Suite), Op. 46: V. The Three Blind Sisters" by Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. The duration of Pelléas et Mélisande, (Suite), Op. 46: V. The Three Blind Sisters is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Pelléas et Mélisande, (Suite), Op. 46: V. The Three Blind Sisters's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Smetana: The Moldau / Sibelius: Finlandia; Pelléas et Mélisande / Liszt: Les Préludes". In this album, this song's track order is #7. Pelléas et Mélisande, (Suite), Op. 46: V. The Three Blind Sisters is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pelléas et Mélisande, (Suite), Op. 46: V. The Three Blind Sisters by Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | D Major | 3 | 10B | 187 BPM | ||
Water Drops, JS 216 | Jean Sibelius, Janine Jansen, Klaus Mäkelä | C Major | 1 | 8B | 101 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
Symphony No.4 In B Flat, Op.60: 1. Adagio - Allegro vivace | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Symphony No. 3 In E Flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 87 BPM | ||
Symphony No. 2 In C, Op. 61: 2. Scherzo (Allegro vivace) | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 90 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
The Bartered Bride / Act 2: Furiant | Bedřich Smetana, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 113 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Pictures at an Exhibition: Promenade | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM |