"Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. With this song being about 5 minutes long, at 5:14, "Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 2, "Resurrection": V. (b) Wieder sehr breit - Etwas energischer im Tempo - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 2 | 4A | 69 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Rapsodie espagnole, M.54: 1. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 2 | 11A | 150 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation IV (Etwas breiter) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
Götterdämmerung, WWV 86D, Act II: Siegfried and the Rhinemaidens | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | F Major | 2 | 7B | 85 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 13, Cum mortuis in lingua mortua | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F♯ Major | 0 | 2B | 75 BPM |