"Piano Concerto No. 3 in E-Flat Major, Op. 29: 3. Allegro non troppo" by Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit was released on January 1, 1981. Since Piano Concerto No. 3 in E-Flat Major, Op. 29: 3. Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Saint-Saëns: Piano Concertos Nos. 1-5". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 3 in E-Flat Major, Op. 29: 3. Allegro non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 3 in E-Flat Major, Op. 29: 3. Allegro non troppo by Camille Saint-Saëns, Pascal Rogé, London Philharmonic Orchestra, Charles Dutoit having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Piano Quintet in A Minor, Op. 14: III. Presto | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | A Major | 1 | 11B | 77 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Pulcinella Suite: VI. Gavotta (Con due variazioni) | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | D Major | 0 | 10B | 73 BPM | ||
Turandot / Act 1: O giovinetto! Grazia, grazia! | Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | B Major | 2 | 1B | 170 BPM | ||
Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman | B♭ Major | 0 | 6B | 78 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Evgeny Kissin | D♭ Minor | 0 | 12A | 133 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM |