Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop's 'Overture (From "Wonderful Town") [Arr. C. Harmon for Orchestra]' came out on February 9, 2018. With this song being about 5 minutes long, at 5:18, "Overture (From "Wonderful Town") [Arr. C. Harmon for Orchestra]" by Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 128 in Bernstein: Marin Alsop's Complete Naxos Recordings by Leonard Bernstein, Marin Alsop, Baltimore Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Overture (From "Wonderful Town") [Arr. C. Harmon for Orchestra] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Overture (From "Wonderful Town") [Arr. C. Harmon for Orchestra] by Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Major | 0 | 9B | 123 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Ofulú Lorerê | Osvaldo Lacerda, Naomi Munakata, Orquestra Sinfônica Do Estado De São Paulo, Naomi Munakata (regente) | D Minor | 4 | 7A | 123 BPM | ||
Clarinet Concerto In A, K.622: 2. Adagio - Live | Wolfgang Amadeus Mozart, Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 139 BPM | ||
Symphony No. 1 "Jeremiah": II. Profanation | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Piano Concerto No.2 In B Flat, Op.83: 4. Allegretto grazioso - Un poco più presto | Johannes Brahms, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | B♭ Major | 2 | 6B | 107 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): VI. The Saga of Jenny | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM |