Georges Bizet, Leonard Bernstein, New York Philharmonic made "Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I)" available on 1971. The duration of Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 21 in Bernstein Century - Bizet: Carmen Suites & L'Arlésienne Suites by Georges Bizet, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) by Georges Bizet, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt | Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Major | 4 | 11B | 136 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Variations on a Theme from Bizet's Opera "Carmen" - Arrangement for Piano by Vladimir Horowitz | Vladimir Horowitz, Patrick Rapold | E Major | 3 | 12B | 125 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: III. Minuetto | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 82 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Flower Duet | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | F Major | 2 | 7B | 117 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM |