Francesco Cavalli, Amandine Trenc, Ensemble Correspondances, Sébastien Daucé, Etienne Bazola, Dagmar Saskova, Stephen Collardelle's 'Ballet Royal de la Nuit, Troisiesme partie du Ballet Royal de la Nuict: XIII. Entrée - Quatre Âmes errantes "Dall'Occaso a gl'Eoi"' had a release date set for November 16, 2018. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 32 out of 101 in Ballet Royal de la Nuit by Ensemble Correspondances, Sébastien Daucé. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Ballet Royal de la Nuit, Troisiesme partie du Ballet Royal de la Nuict: XIII. Entrée - Quatre Âmes errantes "Dall'Occaso a gl'Eoi" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ballet Royal de la Nuit, Troisiesme partie du Ballet Royal de la Nuict: XIII. Entrée - Quatre Âmes errantes "Dall'Occaso a gl'Eoi" by Francesco Cavalli, Amandine Trenc, Ensemble Correspondances, Sébastien Daucé, Etienne Bazola, Dagmar Saskova, Stephen Collardelle is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Cavalli / Arr Pluhar: L'Artemisia, Act 3: "Dammi morte" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Major | 1 | 9B | 97 BPM | ||
Cantata No.30 "Freue dich, erlöste Schar", BWV 30: 5. Aria: Kommt, ihr angefocht'nen Sünder | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | F Minor | 1 | 4A | 72 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Evening Hymn, Z.193 | Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood | E Minor | 1 | 9A | 71 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Stabat Mater: VI. Fac me tecum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Ballet Royal de la Nuit, Troisiesme partie du Ballet Royal de la Nuict: XIII. Entrée - Quatre Âmes errantes "Dall'Occaso a gl'Eoi" | Francesco Cavalli, Amandine Trenc, Ensemble Correspondances, Sébastien Daucé, Etienne Bazola, Dagmar Saskova, Stephen Collardelle | D♭ Minor | 1 | 12A | 82 BPM | ||
Sonata in G, BuxWV 271: I. Allegro | Dietrich Buxtehude, La Rêveuse | F♯ Major | 3 | 2B | 83 BPM |