"Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti"" by Simone Kermes was released on March 13, 2009. Since Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 4 out of 14. On top of that, Germany appears to be the country where this track was created. Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" by Simone Kermes to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
Auf dem wasser zu singen D. 774 | Franz Schubert, Julian Prégardien, Christoph Prégardien, Michael Gees | A♭ Minor | 1 | 1A | 84 BPM | ||
Dido and Aeneas / Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anne Sofie von Otter, The English Concert, Trevor Pinnock | G Minor | 1 | 6A | 82 BPM | ||
In furore, R.626: 1. In furore iustissimae (Allegro) | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | C Minor | 3 | 5A | 134 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM | ||
Żebrowski: Magnificat: II. Quia respexit | Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis | E♭ Major | 1 | 5B | 80 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Patricia Petibon, Bavarian Radio Symphony Orchestra, Daniel Harding | B Major | 0 | 1B | 98 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "With dropping wings ye Cupids come" | Henry Purcell, Dominique Visse, Susan Bickley, Orchestra of the Age of Enlightenment, Lynne Dawson, Robin Blaze, Stephen Wallace, Rosemary Joshua, John Bowen, Gerald Finley, Maria Cristina Kiehr, René Jacobs | F♯ Minor | 0 | 11A | 172 BPM | ||
Rameau: Les Indes Galantes: "Viens, Hymen" (Phani) | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs | F♯ Major | 0 | 2B | 86 BPM | ||
Porpora: Polifemo, HelN 31, Act 3: "Alto Giove" (Aci) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E♭ Minor | 0 | 2A | 78 BPM |