Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon's 'In furore, R.626: 1. In furore iustissimae (Allegro)' came out on January 1, 2007. With this song being about 5 minutes long, at 5:10, "In furore, R.626: 1. In furore iustissimae (Allegro)" by Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vivaldi:Motets RV 627, 632, 630, 626 by Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon. The song's track number on the album is #1 out of 16 tracks. Based on our statistics, In furore, R.626: 1. In furore iustissimae (Allegro)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since In furore, R.626: 1. In furore iustissimae (Allegro) by Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With In furore, R.626: 1. In furore iustissimae (Allegro) being at 134 テンポ, the half-time would be 67 テンポ with a double-time of 268 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
La Senna festeggiante, RV 693: Part I: Recitative: Io, che raminga errante (L'Eta dell'Oro) | Antonio Vivaldi, Yetzabel Arias Fernandez, Martin Oro, Sergio Foresti, Fabio Bonizzoni, La Risonanza | G Minor | 1 | 6A | 141 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pedes. Sonata | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Minor | 1 | 5A | 98 BPM | ||
Concerto In D Minor For 2 Violins, Strings & Continuo, RV 514: 1. Allegro non molto | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | D Minor | 2 | 7A | 106 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": VI. Ut collecet eum (Allegro) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Major | 2 | 2B | 121 BPM | ||
The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Simone Kermes, Enrico Casazza | G Minor | 2 | 6A | 87 BPM | ||
Armide, LWV 71, Act V Scene 2: Passacaille | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F♯ Minor | 2 | 11A | 71 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM |