Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis's 'Żebrowski: Magnificat: II. Quia respexit' came out on May 28, 2021. The duration of Żebrowski: Magnificat: II. Quia respexit is about 3 minutes long, at 3:08. Based on our data, "Żebrowski: Magnificat: II. Quia respexit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Żebrowski: Magnificat, so we believe that this song is a single. Żebrowski: Magnificat: II. Quia respexit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Żebrowski: Magnificat: II. Quia respexit by Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | E Minor | 1 | 9A | 70 BPM | ||
Concerto for Treble Recorder, Strings and Continuo in C: 4. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM | ||
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" | Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 89 BPM | ||
Cello Concerto in A Major, Wq.172: II. Largo maestoso | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D Minor | 0 | 7A | 116 BPM | ||
Ouverture in E Minor, TWV 55:e1: II. Rejouissance | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 1 | 2A | 136 BPM | ||
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM |