"Dido & Aeneas: Dido & Aeneas: Act III, Chorus "With dropping wings ye Cupids come"" by Henry Purcell, Dominique Visse, Susan Bickley, Orchestra of the Age of Enlightenment, Lynne Dawson, Robin Blaze, Stephen Wallace, Rosemary Joshua, John Bowen, Gerald Finley, Maria Cristina Kiehr, René Jacobs was released on July 31, 2007. With this song being about 5 minutes long, at 5:18, "Dido & Aeneas: Dido & Aeneas: Act III, Chorus "With dropping wings ye Cupids come"" by Henry Purcell, Dominique Visse, Susan Bickley, Orchestra of the Age of Enlightenment, Lynne Dawson, Robin Blaze, Stephen Wallace, Rosemary Joshua, John Bowen, Gerald Finley, Maria Cristina Kiehr, René Jacobs is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 39 in the song's album "Purcell: Dido & Aeneas". In this album, this song's track order is #39. The popularity of Dido & Aeneas: Dido & Aeneas: Act III, Chorus "With dropping wings ye Cupids come" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido & Aeneas: Dido & Aeneas: Act III, Chorus "With dropping wings ye Cupids come" by Henry Purcell, Dominique Visse, Susan Bickley, Orchestra of the Age of Enlightenment, Lynne Dawson, Robin Blaze, Stephen Wallace, Rosemary Joshua, John Bowen, Gerald Finley, Maria Cristina Kiehr, René Jacobs having a テンポ of 172 with a half-time of 86 テンポ and a double-time of 344 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | G Minor | 0 | 6A | 131 BPM | ||
The Indian Queen, Z. 630 : Act III - Solo (Ismeron): You Twice Ten Hundred Deities | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | F♯ Minor | 1 | 11A | 96 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Suite in C Minor, BWV 997 (Arr. for Lute & Recorder): IV. Gigue & Double | Johann Sebastian Bach, Dorothee Oberlinger, Edin Karamazov | B Minor | 1 | 10A | 128 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM |