Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande's 'Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture' came out on 1988. The duration of Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture is about 3 minutes long, at 3:01. Based on our data, "Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gustav Leonhardt's "Lully:Le Bourgeois Gentilhomme/Campra:L'Europe Gal" album is number 1 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture by Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Acis et Galatée, LWV 73, Act II Scenes 6 & 7: Je suis content de votre zèle - Chaque moment me tue - Entr'acte - Live | Jean-Baptiste Lully, Orchestra del Maggio Musicale Fiorentino, Federico Maria Sardelli, Elena Harsányi, Luigi De Donato | D♭ Minor | 2 | 12A | 130 BPM | ||
Lully: Armide, LWV 71, Act 1: "Armide est encor plus aimable" (Hidraot, Chœur, Phénice, Sidonie) | Jean-Baptiste Lully, Philippe Herreweghe, Danièle Borst, La Chapelle Royale, Suzanne Gari, Ulrich Cold, Ensemble instrumental de la Chapelle royale | B Major | 2 | 1B | 43 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: II. Largo e mesto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | G Minor | 1 | 6A | 149 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
The Gordian Knot Untied, Z.597: Chaconne - Air - Minuet | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 85 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Canaries (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D Minor | 3 | 7A | 84 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: IV. Allegro e solo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | D♭ Minor | 3 | 12A | 132 BPM |