"Mörike-Lieder: No. 6, Er ist's" by Hugo Wolf, Felicity Lott, Geoffrey Parsons was released on May 1, 1989. With Mörike-Lieder: No. 6, Er ist's being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 19 in Felicity Lott Sings Wolf Songs by Hugo Wolf, Felicity Lott, Geoffrey Parsons. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mörike-Lieder: No. 6, Er ist's is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mörike-Lieder: No. 6, Er ist's by Hugo Wolf, Felicity Lott, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
Es muss ein Wunderbares sein, S. 314 | Franz Liszt, Jonas Kaufmann, Helmut Deutsch | F♯ Minor | 1 | 11A | 173 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
"Oh, quand je dors" S 282 | Franz Liszt, Barbara Bonney, Antonio Pappano | E Major | 1 | 12B | 65 BPM | ||
Ave Maria "Ellens Gesang III", D. 839 | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 172 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
20 Irish Songs, WoO 153: No. 11, When Far From the Home | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 1 | 10B | 173 BPM | ||
The Rake's Progress / Act 1/Scene 1: "The woods are green" | Igor Stravinsky, Deborah York, Ian Bostridge, Martin Robson, London Symphony Orchestra, John Eliot Gardiner | A Major | 1 | 11B | 77 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | E♭ Major | 3 | 5B | 112 BPM |