"Ave Maria "Ellens Gesang III", D. 839" by Felicity Lott, Graham Johnson was released on June 15, 2010. Ave Maria "Ellens Gesang III", D. 839 is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The song is number 11 out of 18 in Felicity Lott sings Schubert Favourites by Felicity Lott, Graham Johnson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Ave Maria "Ellens Gesang III", D. 839 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria "Ellens Gesang III", D. 839 by Felicity Lott, Graham Johnson is Vivace (lively and fast), since this song has a tempo of 172 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Shakespeare Songs, Op. 6: O mistress mine | Roger Quilter, Anthony Rolfe Johnson, Graham Johnson | G Major | 1 | 9B | 110 BPM | ||
Montparnasse, FP 127 No. 1 | Francis Poulenc, Felicity Lott, Pascal Rogé | D♭ Major | 1 | 3B | 66 BPM | ||
King Arthur, Z. 628: Act III "What power art thou" | Henry Purcell, Pieter Hendriks, BarokOpera Amsterdam, Frederique Chauvet | A Major | 1 | 11B | 91 BPM | ||
Gnossienne No.1: Lent | Erik Satie, Klara Kormendi | F Minor | 0 | 4A | 117 BPM | ||
Rinaldo, HWV 7, Act II Scene 4: Lascia Ch'io Pianga (Let me Lament) | Camerata De Budapest, Ingrid Kertesi, George Frideric Handel | F Major | 1 | 7B | 172 BPM | ||
Song My Mother Taught Me | Antonín Dvořák, Barrington Pheloung, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
4 Duets, Op. 34: No. 1, Liebesgarten | Robert Schumann, Dorothea Röschmann, Graham Johnson, Ian Bostridge | D♭ Major | 0 | 3B | 71 BPM | ||
Song To The Moon - Excerpt From The Opera Rusalka | Gabriela Beňačková, Czech Philharmonic Orchestra | F♯ Major | 0 | 2B | 132 BPM | ||
Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1: "Fear no danger to ensue" | Henry Purcell, Norma Burrowes, Felicity Lott, The London Opera Chorus, Aldeburgh Festival Strings, Steuart Bedford | C Major | 2 | 8B | 94 BPM | ||
Offenbach: La belle Hélène, Act 2: No. 10, Choeur, "O Reine, en ce jour, il faut faire" (Chorus, Bacchis, Hélène) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Michel Sénéchal, Francois Le Roux, Alain Gabriel, Laurent Alvaro, Marie-Ange Todorovitch, Hjördis Thébault, Magali Léger, Choeur des Musiciens du Louvre, Éric Huchet, Laurent Naouri, Stéphanie D'Oustrac, José Canalès, Les, Les Musiciens du Louvre.Grenoble | G Major | 1 | 9B | 116 BPM |