"Song My Mother Taught Me" by Antonín Dvořák, Barrington Pheloung, London Metropolitan Orchestra was released on January 1, 2008. The duration of Song My Mother Taught Me is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Song My Mother Taught Me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Barrington Pheloung's "Lewis" album is number 2 out of 20. Song My Mother Taught Me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Song My Mother Taught Me by Antonín Dvořák, Barrington Pheloung, London Metropolitan Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Je Crois Entendre Encore - Voice | Georges Bizet, Salvatore Licitra, Sian Edwards, Orchestra of the Royal Opera House, Covent Garden | G Minor | 1 | 6A | 72 BPM | ||
Die Zauberflöte - Arie: Ach, Ich Fühl's | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 0 | 9B | 85 BPM | ||
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
Invocation | William Lloyd Webber, Richard Hickox, City of London Sinfonia, Skaila Kanga | A Minor | 1 | 8A | 173 BPM | ||
Baïlèro, Serie 1, No. 2 | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | B♭ Major | 2 | 6B | 87 BPM | ||
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Telling Tales | Ben Bartlett | G Minor | 0 | 6A | 97 BPM | ||
The English Patient | Academy of St. Martin in the Fields, Gabriel Yared | B Minor | 0 | 10A | 63 BPM | ||
Lorsque vous n'aurez rien à faire | Dawn Upshaw | G Major | 2 | 9B | 87 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM |