"Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra)" by Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields was released on October 17, 2003. The duration of Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Romance of the Violin". In this album, this song's track order is #10. In terms of popularity, Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) by Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante for Trumpet (Arr. R. Pontinen) | Håkan Hardenberger, Academy of St. Martin in the Fields, Kenneth Sillito | F Minor | 2 | 4A | 67 BPM | ||
Concerto for Violin & Orchestra, Op.14: 2. Andante | Samuel Barber, Joshua Bell, Baltimore Symphony Orchestra, David Zinman | B♭ Minor | 1 | 3A | 133 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Sonata in C Minor: II. Andante espressivo | Giovanni Battista Pescetti, Xavier De Maistre | C Minor | 1 | 5A | 106 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt) | Franz Liszt, Péter Nagy | D Major | 0 | 10B | 137 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 56 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM |