Johannes Brahms, Staatskapelle Dresden, Claudio Abbado's 'St Anthony Variations, Op. 56a "Haydn Variations": Theme. Chorale St Antoni' came out on February 17, 2023. The duration of St Anthony Variations, Op. 56a "Haydn Variations": Theme. Chorale St Antoni is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. St Anthony Variations, Op. 56a "Haydn Variations": Theme. Chorale St Antoni's duration is considered a little bit shorter than the average duration of a typical track. The song is number 36 out of 128 in Abbado: Brahms by Johannes Brahms, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. St Anthony Variations, Op. 56a "Haydn Variations": Theme. Chorale St Antoni is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St Anthony Variations, Op. 56a "Haydn Variations": Theme. Chorale St Antoni by Johannes Brahms, Staatskapelle Dresden, Claudio Abbado is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90: Prelude (Excerpt) | Richard Wagner, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 66 BPM | ||
Tippett: Concerto for Double String Orchestra: I. Allegro con brio | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Fanfare and Theme for Symphonic Orchestra | Rafael Krux | B♭ Major | 1 | 6B | 89 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F♯ Major | 4 | 2B | 94 BPM | ||
La vestale: Ouverture | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 107 BPM | ||
Lohengrin, WWV 75 / Act III: Prelude to Act III | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 1, Andante comodo | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D Major | 1 | 10B | 109 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Nicolai: Die lustigen Weiber von Windsor: Ouvertüre | Otto Nicolai, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 71 BPM | ||
Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Karlovy Vary Symphony Orchestra, Radomil Eliška | B♭ Minor | 1 | 3A | 130 BPM |