"Rimsky-Korsakov: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship" by Nikolai Rimsky-Korsakov, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on March 22, 2024. Rimsky-Korsakov: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rimsky-Korsakov: Scheherazade, Op. 35 - Mussorgsky: Night on Bald Mountain". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rimsky-Korsakov: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rimsky-Korsakov: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impossible Job | Ennio Morricone, Bruno Nicolai | G Minor | 4 | 6A | 104 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Verdi: Requiem, IGV 24: VIIb. Dies irae | Giuseppe Verdi, Antonio Pappano, Anja Harteros, Sonia Ganassi, Rolando Villazón, René Pape, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 3 | 8B | 119 BPM | ||
Symphony No. 5 in C Minor, Op. 67 (Arr. for Orchestra by Gustav Mahler): I. Allegro con brio | Ludwig van Beethoven, Deutsche Staatsphilharmonie Rheinland-Pfalz, Michael Francis | C Minor | 1 | 5A | 103 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 2: The Masque | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 2 | 4B | 125 BPM | ||
Die Walküre, WWV 86B: Feuerzauber (Arr. for Piano by Louis Brassin) | Richard Wagner, Nikolai Lugansky | B Major | 0 | 1B | 76 BPM | ||
Romeo and Juliet (2nd suite), Op.64ter: Romeo and Juliet, Suite No. 2, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Minor | 2 | 7A | 82 BPM | ||
Symphony No. 2, Op. 16 "The Four Temperaments": I. Allegro collerico | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | A♭ Major | 0 | 4B | 79 BPM | ||
Cinderella: 2. Her Fairy Godmother calls her softly and she gradually wakes | Eric Coates, BBC Philharmonic Orchestra, John Wilson | D Major | 3 | 10B | 118 BPM | ||
Pini di Roma (The Pines of Rome): II. Pini presso una catacomba | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 109 BPM |