"Pini di Roma (The Pines of Rome): II. Pini presso una catacomba" by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on June 27, 2007. Since Pini di Roma (The Pines of Rome): II. Pini presso una catacomba is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Respighi: Fontane di Roma, Pina di Roma, Feste Romane & Il Tramonto". In this album, this song's track order is #6. In terms of popularity, Pini di Roma (The Pines of Rome): II. Pini presso una catacomba is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pini di Roma (The Pines of Rome): II. Pini presso una catacomba by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Aïda, Act 3: "Fuggiam gli ardori inospiti... Là, tra foreste vergini" (Aida, Radames) | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 1 | 6B | 85 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Introduction And Concert-Allegro, Op. 134 | Robert Schumann, Jan Lisiecki, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D♭ Major | 1 | 3B | 135 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Minor | 0 | 12A | 170 BPM | ||
Puccini: La rondine, Act 3: Orchestrale transizione - | Giacomo Puccini, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Rossini: Guillaume Tell, Act 1 Scene 2: "Pasteurs, que vos accents s'unissent" (Melchthal, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 1 | 12B | 111 BPM | ||
Double Concerto for 2 Violins, Op. 49: I. Scherzo: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 88 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM |