"Tristan und Isolde, WWV 90: Prelude (Excerpt)" by Richard Wagner, Seattle Symphony Orchestra, Gerard Schwarz was released on May 10, 2024. The duration of Tristan und Isolde, WWV 90: Prelude (Excerpt) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Tristan und Isolde, WWV 90: Prelude (Excerpt)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nicholas Boulton's "Great Composers in Words & Music: Richard Wagner" album is number 20 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Tristan und Isolde, WWV 90: Prelude (Excerpt) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tristan und Isolde, WWV 90: Prelude (Excerpt) by Richard Wagner, Seattle Symphony Orchestra, Gerard Schwarz to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Symphony No. 1 "Land of the Free": III. Viral Veil | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Lemminkäinen, Op. 22: IV. Lemminkäinen's Return. Allegro con fuoco - Quasi Presto - Presto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Violin Concerto in D Minor "Accademico": III. Presto | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Major | 2 | 11B | 105 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Cuatro Estaciones Porteñas: III. Primavera Porteña - Arr. for Cello and String Orchestra by L. Desyatnikov | Astor Piazzolla, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | E♭ Major | 2 | 5B | 117 BPM | ||
Concierto Pastoral for Flute and Orchestra: II. Adagio | Joaquín Rodrigo, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | F♯ Minor | 0 | 11A | 80 BPM |