"Nicolai: Die lustigen Weiber von Windsor: Ouvertüre" by Otto Nicolai, Sir Neville Marriner, Academy of St. Martin in the Fields was released on May 3, 2024. Since Nicolai: Die lustigen Weiber von Windsor: Ouvertüre is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wiener Operettenarien by Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Franz Lehár, Franz von Suppé, Johann Strauss II. The song's track number on the album is #16 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Nicolai: Die lustigen Weiber von Windsor: Ouvertüre is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nicolai: Die lustigen Weiber von Windsor: Ouvertüre by Otto Nicolai, Sir Neville Marriner, Academy of St. Martin in the Fields has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Nicolai: Die lustigen Weiber von Windsor: Ouvertüre being at 71 テンポ, the half-time would be 36 テンポ with a double-time of 142 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto in C Minor, Op. 31: III. Rondo: Allegro giocoso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 77 BPM | ||
Verdi: Aïda, Act 2: Ballet | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 1 | 4A | 146 BPM | ||
Tancredi: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 79 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 62 BPM | ||
Intermezzo, Op.72, TrV 246: Symphonic Interlude: Träumerei am Kamin | Richard Strauss, Wiener Philharmoniker, André Previn | A♭ Major | 2 | 4B | 84 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio - Presto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | G Minor | 0 | 6A | 87 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 89 BPM |