"Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse" by Hector Berlioz, Leonard Bernstein, New York Philharmonic was released on 1964. Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 2 out of 6 in Berlioz: Symphonie fantastique, Op. 14, H. 48 by Hector Berlioz, Leonard Bernstein, New York Philharmonic. Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse by Hector Berlioz, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird Suite (1919 Version): Lullaby - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 58 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM | ||
Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 90 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | E Major | 1 | 12B | 79 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 117 BPM | ||
Symphony No. 5 in D Minor, Op. 47: III. Largo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B Minor | 1 | 10A | 83 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 137 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM |