Jacinto Guerrero, Nicasio Tejada made "La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide"" available on October 9, 1959. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jacinto Guerrero, Nicasio Tejada's "La Rosa del Azafrán" album is number 3 out of 18. On top of that, Spain appears to be the country where this track was created. La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" by Jacinto Guerrero, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rosa del Azafrán: Nocturno: "Hoy Es Sábado y No Quiero" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Puccini: Turandot , Act 1: "Gira la cote! Gira!" (Crowd, Executioner's men) | Giacomo Puccini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala Di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Madama Butterfly : Addio, Fiorito Asil | Slovak Radio Symphony Orchestra, Peter Dvorsky, Giuseppe Giacosa, Giacomo Puccini, Luigi Illica | D♭ Major | 3 | 3B | 82 BPM | ||
Los Gavilanes: "Ya los Tamborileros Tocando Están" | José Ramos Martín, Jacinto Guerrero, Gran Orquesta Sinfonica | A♭ Major | 4 | 4B | 63 BPM | ||
Puccini: Madama Butterfly, Act 2: "E Izaghi ed Izanami" (Suzuki, Butterfly) | Giacomo Puccini, Maria Callas, Lucia Danieli, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 74 BPM | ||
Golondrina de Madrid: "¡Otra Vez Juntos!¡Éste Me Sigue!" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
La Parranda: En la Huerta del Segura (Canto a Murcia) | Francisco Alonso, Nicasio Tejada | G Major | 4 | 9B | 91 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
El Huesped del Sevillano, Acto I: Fiel Espada Triunfadora (Canto a la Espada Toledana) - Remastered | Enrique Reoyo, Juan Ignacio Luca de Tena, Jacinto Guerrero, Marcos Redondo | F Major | 2 | 7B | 163 BPM |