Jacinto Guerrero, Nicasio Tejada made "La Rosa del Azafrán: Nocturno: "Hoy Es Sábado y No Quiero"" available on October 9, 1959. With La Rosa del Azafrán: Nocturno: "Hoy Es Sábado y No Quiero" being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jacinto Guerrero, Nicasio Tejada's "La Rosa del Azafrán" album is number 5 out of 18. On top of that, Spain appears to be the country where this track was created. La Rosa del Azafrán: Nocturno: "Hoy Es Sábado y No Quiero" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Rosa del Azafrán: Nocturno: "Hoy Es Sábado y No Quiero" by Jacinto Guerrero, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Huesped del Sevillano, Acto I: Fiel Espada Triunfadora (Canto a la Espada Toledana) - Remastered | Enrique Reoyo, Juan Ignacio Luca de Tena, Jacinto Guerrero, Marcos Redondo | F Major | 2 | 7B | 163 BPM | ||
La del soto del parral: Ronda de enamorados | Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | D Major | 0 | 10B | 73 BPM | ||
Otello - Act III - Assisa a' piè d'un salice | Gioachino Rossini, Montserrat Caballé, Corinne Vozza, Carlo Felice Cillario | E♭ Major | 1 | 5B | 127 BPM | ||
Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] | Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 4 | 12B | 79 BPM | ||
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
Le Rezaste a San Antonio / Que Te Guste la Cerveza: Jotas de Picadillo - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | G Major | 3 | 9B | 77 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Luisa Fernanda, Acto ii: Para comprar a un hombre | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | G Major | 3 | 9B | 66 BPM | ||
Mírate en el espejo | Ofelia Nieto, Carlos Galeffi | E Major | 4 | 12B | 139 BPM | ||
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM |