"La del soto del parral: Ronda de enamorados" by Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa was released on February 15, 2003. With this song being about 5 minutes long, at 4:31, "La del soto del parral: Ronda de enamorados" by Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Preludes and Choruses From Zarzuelas". In this album, this song's track order is #13. La del soto del parral: Ronda de enamorados is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La del soto del parral: Ronda de enamorados by Reveriano Soutullo, Juan Vert, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luisa Fernanda, Acto i: Introducción y habanera del saboyano | José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Estrella Alsina, Pedro Lavirgen | D Minor | 2 | 7A | 88 BPM | ||
La boda de Luis Alonso, o La noche del encierro: El baile de Luis Alonso: Intermedio | Jerónimo Giménez, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | E Major | 1 | 12B | 112 BPM | ||
Don Lindo de Almeria, Op. 7b: Escena y Danza segunda | Rodolfo Halffter, Madrid Community Orchestra, José Ramón Encinar | A♭ Major | 0 | 4B | 180 BPM | ||
La Verbena de la Paloma: Preludio | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | E Major | 2 | 12B | 79 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
La madrugada del panadero (The Baker's Dawn), Op. 12a: Escena y Danza primera | Rodolfo Halffter, Madrid Community Orchestra, José Ramón Encinar | F Major | 2 | 7B | 77 BPM | ||
Escenas andaluzas: IV. Zapateado | Tomás Bretón, Madrid Community Orchestra, Miguel Roa | E Major | 3 | 12B | 65 BPM | ||
Hanbanera De "Monte Carmelo" | Federico Moreno Torroba, Jerónimo Giménez, Gerardo Gombau, Federico Chueca, Manuel Penella, Tomás Bretón, Juan Vert, Santiago Lope, Orquesta Zarzuela De Madrid | G Major | 3 | 9B | 144 BPM |