"La Verbena de la Paloma: Preludio" by Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari was released on January 22, 2019. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tomás Bretón, Various Artists's "La verbena de la paloma (Zarzuela en un acto)" album is number 1 out of 9. La Verbena de la Paloma: Preludio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Verbena de la Paloma: Preludio by Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonía n. 5 en mi menor | Pyotr Ilyich Tchaikovsky, Waldo De Los Ríos | D Major | 3 | 10B | 88 BPM | ||
Luisa Fernanda, Acto i: Romanza de Javier | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | E♭ Minor | 3 | 2A | 97 BPM | ||
La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Panorama | New Philharmonia Orchestra London, Lawrence Siegel | G Major | 0 | 9B | 98 BPM | ||
Auf Wiener Art, Polka française | Joseph Hellmesberger, Jr., Lorin Maazel, Wiener Philharmoniker | E Major | 6 | 12B | 169 BPM | ||
La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | ||
Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
Los Marineritos | Orquesta Y Coros Montilla | F Major | 2 | 7B | 64 BPM | ||
Vuelo del moscardón | Hamburg Symphony Orchestra | F♯ Minor | 4 | 11A | 177 BPM | ||
Carmen Suite: Séguédille (Arr. by Jan Valta) | Georges Bizet, Marc Reift, Philharmonic Wind Orchestra, Marc Reift Orchestra | E♭ Major | 3 | 5B | 191 BPM |