On 1976, the song "Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole]" was released by Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg. The duration of Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Offenbach : La Périchole [Highlight]". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach : La Périchole : Act 1 "Vous a-t-on dit souvent" [Piquillo, La Périchole] by Jacques Offenbach, Alain Lombard, Orchestre Philharmonique De Strasbourg having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Puccini: Turandot, Act 3: "Nessun dorma!" (Calaf, Chorus) | Giacomo Puccini, Alain Lombard, Orchestre Philharmonique De Strasbourg | F♯ Minor | 1 | 11A | 116 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus) | Gaetano Donizetti, Maria Callas, Raffaele Arie, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 4 | 10B | 141 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline) | Giacomo Puccini, Maria Callas, Anna Moffo, Antonino Votto, Carlo Badioli, Giuseppe Di Stefano, Manuel Spatafora, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Rolando Panerai | A Major | 2 | 11B | 80 BPM | ||
Puccini: Turandot, Act 1: "Non piangere, Liù" (Calaf, Liù, Timur) | Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 2 | 2A | 136 BPM | ||
Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 84 BPM | ||
Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bertrand de Billy | F Major | 0 | 7B | 82 BPM | ||
Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM |