Wolfgang Amadeus Mozart, William Shimell/Samuel Ramey/Carol Vaness/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker made "Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello)" available on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 11 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 14: Recitativo, "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello) by Wolfgang Amadeus Mozart, William Shimell/Samuel Ramey/Carol Vaness/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino, Act III: Morir! Tremenda cosa! (Don Carlo di Vargas) | Giuseppe Verdi, Giorgio Zancanaro, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 144 BPM | ||
Madama Butterfly / Act 1: Vieni, amor mio! | Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 76 BPM | ||
Madama Butterfly / Act 2: Si sa che aprir la parta | Giacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 87 BPM | ||
Rigoletto / Act 1: Ch'io gli parli | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Kurt Moll, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 2 | 3B | 74 BPM | ||
La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM | ||
Così fan tutte, K. 588: Act I Scene 1: Terzetto - E la fede delle femmine (Don Alfonso, Ferrando, Guglielmo) | Wolfgang Amadeus Mozart, Joanna Borowska, Priti Coles, John Dickie, Andrea Martin, Peter Mikulas, Rohangiz Yachmi, Slovak Philharmonic Chorus, Capella Istropolitana, Johannes Wildner | E Major | 2 | 12B | 96 BPM | ||
Verdi: Messa da Requiem: VI. Quid sum miser | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Rigoletto / Act 1: Della mia bella incognita borghese | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini | A♭ Major | 0 | 4B | 119 BPM | ||
La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | G Major | 1 | 9B | 88 BPM | ||
Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | G Major | 2 | 9B | 95 BPM |