"Madama Butterfly / Act 2: Si sa che aprir la parta" by Giacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1974. With Madama Butterfly / Act 2: Si sa che aprir la parta being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #4. Madama Butterfly / Act 2: Si sa che aprir la parta is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Madama Butterfly / Act 2: Si sa che aprir la parta by Giacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Carmen / Act 3: Choeur: "A dos cuartos!" | Georges Bizet, Anne-Marie Tostain, Michel Marinpouille, Alain Pilard, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | F Minor | 4 | 4A | 103 BPM | ||
Die Walküre, WWV 86B / Act III: "War es so schmählich, was ich verbrach" | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 82 BPM | ||
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) | Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 0 | 6B | 74 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
Madama Butterfly / Act 1: Ieri son salita tutta sola in segreto alla Missione | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 61 BPM | ||
Rigoletto / Act 1: Questa o quella...Partite? Crudele! | Giuseppe Verdi, Plácido Domingo, Olive Fredricks, Luigi De Corato, Dirk Sagemüller, Piero Cappuccilli, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | A♭ Major | 2 | 4B | 120 BPM | ||
Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna) | Wiener Philharmoniker, Cheryl Studer, Riccardo Muti, Frank Lopardo | G Minor | 0 | 6A | 143 BPM | ||
Puccini: Tosca, Act 2 Scene 5: "Or gli perdono!" (Tosca) | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM |