"Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna)" by Wiener Philharmoniker, Cheryl Studer, Riccardo Muti, Frank Lopardo was released on August 2, 2013. The duration of Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 7 out of 214. Based on our statistics, Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527, Act II, Scena quarta: Calmatevi, idol mio! (Don Ottavio/Donna Anna) by Wiener Philharmoniker, Cheryl Studer, Riccardo Muti, Frank Lopardo to be Allegro (fast, quick, and bright) because the track has a tempo of 143 テンポ, a half-time of 72テンポ, and a double-time of 286 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
Variations and Fugue on a Theme by Handel, Op.24: Aria - Live | Johannes Brahms, Alfred Brendel | B♭ Major | 1 | 6B | 101 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Renaud Capuçon, Antoine Tamestit, Louis Langrée, Scottish Chamber Orchestra | C Minor | 1 | 5A | 91 BPM | ||
Violin Sonata No. 22 in A Major, K. 305: I. Allegro di molto | Wolfgang Amadeus Mozart, Ray Chen | E Major | 1 | 12B | 153 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM |