"La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine"" by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi was released on January 1, 2005. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #14 out of 38 tracks. La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un ballo in maschera / Act 1: "Volta la terrea" | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Antonio Savastano, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 2 | 3A | 85 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Madama Butterfly / Act 1: Ieri son salita tutta sola in segreto alla Missione | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 61 BPM | ||
La traviata / Act 2: "Di sprezzo degno se stesso rende" | Giuseppe Verdi, Thomas Hampson, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | E♭ Major | 1 | 5B | 79 BPM | ||
Turandot / Act 1: Perché tarda la luna? (Coro) | Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | F♯ Minor | 1 | 11A | 79 BPM | ||
Madama Butterfly / Act 2: Suzuki! Suzuki! Dove sei? | Giacomo Puccini, Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Fliegt heim, ihr Raben! | Richard Wagner, Birgit Nilsson, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 95 BPM | ||
Così fan tutte, K. 588 / Act I: "Fuor la spada" | Wolfgang Amadeus Mozart, Adam Plachetka, Alessandro Corbelli, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Major | 1 | 12B | 72 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Giuseppe Taddei, Piero de Palma, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 132 BPM | ||
La traviata / Act 2: "Noi siamo zingarelle" | Giuseppe Verdi, Wendy White, Jeffrey Wells, Julien Robbins, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine | C Minor | 2 | 5A | 82 BPM |