"Turandot / Act 1: Perché tarda la luna? (Coro)" by Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus was released on January 1, 1982. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Puccini: Turandot". In this album, this song's track order is #5. Turandot / Act 1: Perché tarda la luna? (Coro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 1: Perché tarda la luna? (Coro) by Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Trumpets & trombones) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F Major | 2 | 7B | 165 BPM | ||
Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | ||
Rigoletto / Act 1: Della mia bella incognita borghese | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini | A♭ Major | 0 | 4B | 119 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Io so che alle sue pene (Suzuki/Sharpless/Pinkerton) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 0 | 6B | 132 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Ze nevis, co mamé? | Leoš Janáček, Zuzana Hudecova, Eva Hribkova, Lucia Popp, Eva Zigmundova, Wiener Philharmoniker, Sir Charles Mackerras | F♯ Major | 2 | 2B | 138 BPM | ||
Die Walküre, WWV 86B / Zweiter Akt: "Hojotoho! Hojotoho!" | Richard Wagner, Régine Crespin, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 95 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" - "Spür nur dich" | Richard Strauss, Helen Donath, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 94 BPM | ||
La traviata / Act 1: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A♭ Major | 4 | 4B | 103 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Anna Tomowa-Sintow, Janet Perry, Agnes Baltsa, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 120 BPM | ||
Tosca / Act III: "O dolci mani" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 70 BPM |