Leoš Janáček, Zuzana Hudecova, Eva Hribkova, Lucia Popp, Eva Zigmundova, Wiener Philharmoniker, Sir Charles Mackerras made "The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Ze nevis, co mamé?" available on January 1, 1982. With The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Ze nevis, co mamé? being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 8 out of 31. Based on our statistics, The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Ze nevis, co mamé?'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Ze nevis, co mamé? by Leoš Janáček, Zuzana Hudecova, Eva Hribkova, Lucia Popp, Eva Zigmundova, Wiener Philharmoniker, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On an Overgrown Path, JW VIII/17, Book 2: No. 11, Andante | Leoš Janáček, Lars Vogt | B Major | 0 | 1B | 128 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie, Les Violins du Roy | G Major | 0 | 9B | 213 BPM | ||
6 Preludes & Fugues by J.S. Bach, S. 462: No. 1, Prelude in A Minor (After BWV 543) | Franz Liszt, Khatia Buniatishvili | A Minor | 1 | 8A | 121 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 65 BPM | ||
7 Peces de joventut (Youthful Pieces): Record | Manuel Blancafort, Miquel Villalba | B Major | 0 | 1B | 137 BPM | ||
Romance, S169/R66a | Franz Liszt, Jenő Jandó | G Major | 0 | 9B | 65 BPM | ||
Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Sonatine, M. 40: 2. Mouvement de menuet | Maurice Ravel, Martha Argerich | D♭ Major | 0 | 3B | 123 BPM |