Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra's 'Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale)' came out on 1984. With Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 45 in Donizetti: Don Pasquale by Gaetano Donizetti, Riccardo Muti. In terms of popularity, Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) by Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Don Carlo, Act 5: "Tu che le vanità" (Elisabetta) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Philharmonia Orchestra | D♭ Major | 2 | 3B | 83 BPM | ||
L'elisir d'amore / Act II: "Una tenera occhiatina" | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 113 BPM | ||
Les Contes d'Hoffmann / Act 1: "Deux heures devant moi!" | Jacques Offenbach, Andreas Schmidt, Kurt Rydl, Orchestre National De France, Seiji Ozawa | C Major | 3 | 8B | 143 BPM | ||
Verdi: Aida, Act 2: "Che veggo! Egli? Mio padre!" (Aida, Amneris, Radamès, Ramfis, Il Re, Sacerdoti, Popolo, Amonasro) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | D Major | 2 | 10B | 81 BPM | ||
Verdi: Messa da Requiem: XII. Domine Jesu Christe | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 76 BPM | ||
Cherubini: Medea, Act 1: "Qui tremar devi tu" (Creonte, Glauce, Chorus) | Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | B Minor | 3 | 10A | 137 BPM | ||
Verdi: Messa da Requiem: VI. Quid sum miser | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Via resti servita, madama brillante" | Wolfgang Amadeus Mozart, Tatiana Troyanos, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 98 BPM |