Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale)

Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra
Donizetti: Don Pasquale
1:29 1984日
テンポ
95
キー
G Major
キャメロットミュージックキー
9B

リンクを埋め込む

共有

Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) - Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra 情報

音響性
97%
ダンサビリティ
42%
エネルギー
17%
手段性
0%
活気
36%
ラウドネス
66%
話し言葉
14%
価数
33%
人気
ラウドネス
-20.355 dB

まとめ

Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra's 'Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale)' came out on 1984. With Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 45 in Donizetti: Don Pasquale by Gaetano Donizetti, Riccardo Muti. In terms of popularity, Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) テンポ

The tempo marking of Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) by Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) キー

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Verdi: Don Carlo, Act 5: Verdi: Don Carlo, Act 5: "Tu che le vanità" (Elisabetta)Giuseppe Verdi, Maria Callas, Nicola Rescigno, Philharmonia OrchestraD♭ Major23B83 BPM
L'elisir d'amore / Act II: L'elisir d'amore / Act II: "Una tenera occhiatina"Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James LevineE Major212B113 BPM
Les Contes d'Hoffmann / Act 1: Les Contes d'Hoffmann / Act 1: "Deux heures devant moi!"Jacques Offenbach, Andreas Schmidt, Kurt Rydl, Orchestre National De France, Seiji OzawaC Major38B143 BPM
Verdi: Aida, Act 2: Verdi: Aida, Act 2: "Che veggo! Egli? Mio padre!" (Aida, Amneris, Radamès, Ramfis, Il Re, Sacerdoti, Popolo, Amonasro)Giuseppe Verdi, Riccardo Muti, New Philharmonia OrchestraD Major210B81 BPM
Verdi: Messa da Requiem: XII. Domine Jesu Christe by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, MilanoVerdi: Messa da Requiem: XII. Domine Jesu ChristeGiuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, MilanoC Major28B114 BPM
Il barbiere di Siviglia / Act 1: Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!"Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio AbbadoC Major48B95 BPM
Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso) by Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di MilanNorma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso)Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di MilanG Major19B76 BPM
Cherubini: Medea, Act 1: Cherubini: Medea, Act 1: "Qui tremar devi tu" (Creonte, Glauce, Chorus)Luigi Cherubini, Giuseppe Modesti, Renata Scotto, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio SerafinB Minor310A137 BPM
Verdi: Messa da Requiem: VI. Quid sum miser by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, MilanoVerdi: Messa da Requiem: VI. Quid sum miserGiuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, MilanoC Major28B114 BPM
Le nozze di Figaro, K.492 / Act 1: Le nozze di Figaro, K.492 / Act 1: "Via resti servita, madama brillante"Wolfgang Amadeus Mozart, Tatiana Troyanos, Dawn Upshaw, Metropolitan Opera Orchestra, James LevineE Major212B98 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records