"Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso)" by Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. The duration of Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso) by Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) | Luigi Cherubini, Maria Callas, Orchestra La Scala di Milano, Thomas Schippers | C Major | 3 | 8B | 92 BPM | ||
Puccini: Turandot, Act 2: "In questa Reggia" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 2 | 10B | 81 BPM | ||
Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
Ponchielli: La Gioconda, Act 1: "E cantan su lor tombe!" (Barnaba, Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli | E Minor | 1 | 9A | 89 BPM | ||
Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
Carmen (1997 - Remaster), Act III: Ecoute, écoute, compagnon, écoute | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Svanir le voci!" | Vincenzo Bellini, John Osborn, Reinaldo Macias, Orchestra La Scintilla, Giovanni Antonini | B Major | 1 | 1B | 78 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Me protegge, me difende un poter maggior di loro (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 3 | 5B | 74 BPM |