"III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend" by Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman was released on December 22, 2006. With III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 21 in Bach Edition Vol. 19, Cantatas Vol. X Part: 1 by Pieter Jan Leusink. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend by Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen | Stephen Cleobury, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, David Thomas, Michael George, Choir of King's College, Cambridge, Martyn Hill | A♭ Major | 1 | 4B | 108 BPM | ||
III. Freue Dich, Erlöste Schar BWV 30, For The Feast Of John Baptist, Am Sonntag Cantate, Prima Parte: Choral (Coro), Eine Stimme Läßt Sich Hören | Pieter Jan Leusink, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Louis Van Emmerik, Doretthe Janssens, Holland Boys Choir; Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Oeds Van Middelkoop, Peter Frankenberg, Susanne Grutzmacher | D♭ Major | 2 | 3B | 85 BPM | ||
Sie werden euch in den Bann tun BWV 183: Chorale: Du bist ein Geist, der lehret | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Sandrine Piau, Johannette Zomer | D Minor | 5 | 7A | 111 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (7) Choral (Coro): Gloria Sei Dir Gesungen | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 2 | 10B | 79 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 10. Recitativ, "Philister! Philister über dir" (Seele) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, William Shelton | A♭ Minor | 2 | 1A | 96 BPM | ||
Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände" | Johann Sebastian Bach, Collegium Vocale Gent, Stephan MacLeod, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Maria Keohane, Robin Blaze, Hans-Jörg Mammel | A Major | 2 | 11B | 81 BPM | ||
II. Himmelskönig, Sei Willkommen BWV 182, Coro: Himmelskönig, Sei Willkommen | Pieter Jan Leusink, Holland Boys Choir; Netherlands Bach Collegium, John Wilson Meyer, Sytse Buwalda, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton, Anneke Boeke, Knut Schoch | D♭ Major | 2 | 3B | 77 BPM | ||
II. Himmelskönig, Sei Willkommen BWV 182, Choral (Coro): Jesu, Deine Passion | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Anneke Boeke, Holland Boys Choir; Netherlands Bach Collegium, Ruth Holton, John Wilson Meyer, Bas Ramselaar, Johann Sebastian Bach | D Major | 1 | 10B | 83 BPM | ||
I. Herr Jesu Christ, Du Höchstes Gut BWV 113, Coro: Herr Jesu Christ, Du Höchstes Gut | Pieter Jan Leusink, Ofer Frenkel, Peter Frankenberg, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Kate Clark | G Major | 2 | 9B | 124 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149 | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM |