Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, William Shelton's 'Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 10. Recitativ, "Philister! Philister über dir" (Seele)' came out on March 22, 2024. With Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 10. Recitativ, "Philister! Philister über dir" (Seele) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 34 in Bach: Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik) by Johann Sebastian Bach, Christian Friedrich Henrici, Daniel Johannsen, William Shelton, Miriam Feuersinger, Alexander Grychtolik. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 10. Recitativ, "Philister! Philister über dir" (Seele) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 10. Recitativ, "Philister! Philister über dir" (Seele) by Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, William Shelton is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |