Stephen Cleobury, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, David Thomas, Michael George, Choir of King's College, Cambridge, Martyn Hill's 'Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen' came out on March 28, 2007. The duration of Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stephen Cleobury's "Matthaus Passion" album is number 37 out of 103. In terms of popularity, Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen by Stephen Cleobury, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, David Thomas, Michael George, Choir of King's College, Cambridge, Martyn Hill to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Gloria: Domine Deus, Rex coelestis | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Major | 0 | 1B | 66 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Stephen Cleobury, Choir of King's College, Cambridge | B♭ Major | 1 | 6B | 101 BPM | ||
Noel Symphony No. 4 in D Minor: I. Une jeune pucelle: Moderato | Michel Corrette, Arion Trio | D♭ Minor | 1 | 12A | 106 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
The City | Majorstua Kammerkor & Tore Erik Mohn | E♭ Major | 2 | 5B | 88 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Messe basse: III. Benedictus | Gabriel Fauré, Stephen Cleobury, Douglas Tang, Adam Banwell, Ensemble of King's College, Cambridge | A♭ Major | 0 | 4B | 76 BPM | ||
Endimione e Cintia: Aria "Se geloso è il mio core" | Alessandro Scarlatti, Elizabeth Watts, The English Concert, Laurence Cummings | D♭ Major | 1 | 3B | 110 BPM |