"Mayskaya noch' (May Night): Overture" by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz was released on September 6, 2011. Since Mayskaya noch' (May Night): Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Rimsky-Korsakov: Capriccio espagnol". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Mayskaya noch' (May Night): Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mayskaya noch' (May Night): Overture by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: II. Pas de Chat | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Major | 4 | 9B | 123 BPM | ||
Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek | B♭ Major | 2 | 6B | 107 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 3 - Con moto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Symphony No. 6: V. Adagio | Howard Hanson, Randolf Baunton, Ronald Johnson, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 62 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): IIII. Rondo: Allegro | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | A Major | 1 | 11B | 119 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Variation 5: Quasi presto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 1 | 8A | 122 BPM | ||
En blanc et noir (arr. R. Holloway for orchestra): III. Scherzando | Claude Debussy, Robin Holloway, Orchestre National De Lyon, Jun Markl | A♭ Major | 1 | 4B | 74 BPM |