"Cinderella-Suite Nr. 1, Op. 107: II. Pas de Chat" by Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar was released on September 21, 1994. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Prokofiev: Cinderella Suites / Scythian Suite". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Cinderella-Suite Nr. 1, Op. 107: II. Pas de Chat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cinderella-Suite Nr. 1, Op. 107: II. Pas de Chat by Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly Suite, Op. 97a: IV. Intelude | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Major | 0 | 2B | 172 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Romeo & Juliet, Op. 64 (Highlights Arr. L. Karlin for Trombone Ensemble): Dance of the Knights | Sergei Prokofiev, Trombone Unit Hannover, Yuval Wolfson, Martin Hennecke, Dominik Minsch, Johann Walter | A Minor | 1 | 8A | 103 BPM | ||
Sylvia: Act III: Marche | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B Major | 2 | 1B | 122 BPM | ||
Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM |