"Variations and Fugue on a Theme of Mozart, Op. 132: Variation 3 - Con moto" by Max Reger, Staatskapelle Dresden, Heinz Bongartz was released on January 1, 1972. With Variations and Fugue on a Theme of Mozart, Op. 132: Variation 3 - Con moto being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Reger: Variations and Fugue on a Theme of Mozart". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, Variations and Fugue on a Theme of Mozart, Op. 132: Variation 3 - Con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations and Fugue on a Theme of Mozart, Op. 132: Variation 3 - Con moto by Max Reger, Staatskapelle Dresden, Heinz Bongartz having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in C Major, D. 944: II. Andante con moto (5) | Franz Schubert, Staatskapelle Dresden, Herbert Blomstedt | F♯ Minor | 0 | 11A | 77 BPM | ||
Piano Concerto in B Minor, Op. 3: III. Scherzo. Molto vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Ludmil Angelov, Vladimir Kiradjiev | B Major | 1 | 1B | 82 BPM | ||
Symphony No. 9 in C Major, D. 944: IV. Finale. Allegro vivace (1) | Franz Schubert, Staatskapelle Dresden, Herbert Blomstedt | A Major | 0 | 11B | 176 BPM | ||
Symphony No. 3 in D Minor, Part II: II. Tempo di menuetto | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 71 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos | Joseph Haydn, Dresdner Philharmonie, Marek Janowski | B♭ Major | 3 | 6B | 117 BPM | ||
Elektra, Op. 58, TrV 223: "Wenn das rechte Blutopfer unterm Beile fällt" | Richard Strauss, Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
5 Humoresques, Op. 20: No. 5, Vivace assai | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
Petite suite, L. 65: II. Cortège | Claude Debussy, Louis Lane, Cleveland Orchestra | C Major | 5 | 8B | 156 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Debussy / Orch. Büsser: Printemps, L. 68: I. Très Modéré | Claude Debussy, Michel Plasson, Philippe Alègre, Martine Laure, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 84 BPM |