"L‘Ernelinda: "Nube di denso orrore"" by Leonardo Vinci, Franco Fagioli, Il Pomo D'oro, Zefira Valova was released on May 8, 2020. L‘Ernelinda: "Nube di denso orrore" is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. This song is part of Veni, Vidi, Vinci by Leonardo Vinci, Franco Fagioli, Il Pomo D'oro, Zefira Valova. The song's track number on the album is #9 out of 14 tracks. L‘Ernelinda: "Nube di denso orrore" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L‘Ernelinda: "Nube di denso orrore" by Leonardo Vinci, Franco Fagioli, Il Pomo D'oro, Zefira Valova has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L‘Ernelinda: "Nube di denso orrore" being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partenio, Ouverture (1738): I. (Without indication) | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM | ||
Vinci: Artaserse, Act 1: "Deh respirar lasciatemi" (Artaserse) | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | E Minor | 2 | 9A | 143 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Scena IX Recitativo | Leonardo Vinci, Martyna Pastuszka, Orkiestra Historyczna, Yuriy Mynenko, Sophie Junker | A♭ Minor | 1 | 1A | 76 BPM | ||
J. S. Bach: Kantate zum 1. Pfingsttag - Wer mich liebet, der wird mein Wort halten, BWV 74: VII. Nichts kann mich erretten | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Chor der J. S. Bach-Stiftung, Rudolf Lutz | A♭ Minor | 1 | 1A | 125 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Grande Sonata in D Major: II. Allegro (Recomposed for Sollo Flute by Luca Astolfoni Fossi) | Leonardo Vinci, Claudio Ferrarini | E♭ Minor | 2 | 2A | 135 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: II. Allemande fuguée | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM |