Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger's 'Partenio, Ouverture (1738): I. (Without indication)' came out on March 19, 2021. With Partenio, Ouverture (1738): I. (Without indication) being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 18 in Francesco Maria Veracini: Music at the Düsseldorf Court by Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Partenio, Ouverture (1738): I. (Without indication) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Partenio, Ouverture (1738): I. (Without indication) by Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Sonata in D Major: VI. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 0 | 1B | 71 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: III. Allegretto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Sonata in E Major, Op. 5, No. 11 (arr. M. Dubourg and F.M. Veracini): III. Adagio (arr. F.M. Veracini) | Francesco Maria Veracini, Arcangelo Corelli, Matthew Dubourg, Stefan Temmingh, Olga Watts | F Major | 1 | 7B | 145 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Concerto, GWV 308: III. Largo | Christoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel Abraham | B♭ Minor | 1 | 3A | 76 BPM | ||
Télémaque & Calypso, Act I Scene 6: Deuxième air des démons et des magiciennes (I) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard | C Minor | 3 | 5A | 117 BPM | ||
Suite in D Major, Op. 2, No. 1: VI. Menuet Le Comte de Brione | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | C Major | 1 | 8B | 81 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM |