Francesco Maria Veracini, Arcangelo Corelli, Matthew Dubourg, Stefan Temmingh, Olga Watts made "Sonata in E Major, Op. 5, No. 11 (arr. M. Dubourg and F.M. Veracini): III. Adagio (arr. F.M. Veracini)" available on January 1, 2007. With Sonata in E Major, Op. 5, No. 11 (arr. M. Dubourg and F.M. Veracini): III. Adagio (arr. F.M. Veracini) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 33 in Corelli, A.: Sonatas, Op. 5, Nos. 7-12 by Arcangelo Corelli, Stefan Temmingh. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sonata in E Major, Op. 5, No. 11 (arr. M. Dubourg and F.M. Veracini): III. Adagio (arr. F.M. Veracini)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata in E Major, Op. 5, No. 11 (arr. M. Dubourg and F.M. Veracini): III. Adagio (arr. F.M. Veracini) by Francesco Maria Veracini, Arcangelo Corelli, Matthew Dubourg, Stefan Temmingh, Olga Watts is Allegro (fast, quick, and bright), since this song has a tempo of 145 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola d'amore Concerto in D Major, RV 392: I. Allegro | Antonio Vivaldi, Catherine Mackintosh, Orchestra of the Age of Enlightenment | D♭ Major | 2 | 3B | 104 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | B Minor | 1 | 10A | 100 BPM | ||
Concerto In A Major ("Die Relinge") TWV 51:A4, For Violino Principale, 3 Violins, Viola And Basso Continuo: 1. Allegro | Georg Philipp Telemann, Stephan Schardt, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 105 BPM | ||
Sonata seconda du IIème Livre de Sonates à violon seul et basse continue: Andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Il prigioniero fortunato: Sinfonia: I. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 5 | 3B | 111 BPM | ||
Ouverture No.1 in B flat major: 3. Sarabande | Francesco Maria Veracini, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 71 BPM | ||
Sonata No. 9 in F Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM |