Matthew Locke, Ensemble Correspondances, Sébastien Daucé's 'Psyche, Act I: Overture' came out on September 23, 2022. The duration of Psyche, Act I: Overture is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Psyche, Act I: Overture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthew Locke, Ensemble Correspondances, Sébastien Daucé's "Locke: Psyche" album is number 1 out of 55. On top of that, France appears to be the country where this track was created. Based on our statistics, Psyche, Act I: Overture's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Psyche, Act I: Overture by Matthew Locke, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Pièce royale en sol, S. 161 "Deuxième Fantaisie ou Caprice que le Roi demandait souvent" - Bonus Track | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | F♯ Minor | 4 | 11A | 100 BPM | ||
Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
For Several Friends: Suite in F Major: II. Pavan | Matthew Locke, Ensemble Masques | D♭ Major | 2 | 3B | 56 BPM | ||
29 Partite sopra l'aria della Folia (Arr. for Recorder, Cello, Harpsichord & Guitar by D. Oberlinger) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 2 | 12A | 129 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Ballet du Mariage de Pierre de Provence et de la belle Maguelonne: "Rompez les charmes du sommeil" (Air de la Ridicule) | Etienne Moulinie, Ensemble Correspondances, David Tricou, Davy Cornillot, Etienne Bazola, Lucile Richardot, Marc Mauillon, Nicolas Brooymans, Sébastien Daucé | C Minor | 2 | 5A | 118 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: VII. Gavotte | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Divertimento in E-Flat Major, TWV 50:21: Divertimento in E-Flat Major, TWV 50:21: II. La Reveille | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM |