Matthew Locke, Ensemble Correspondances, Sébastien Daucé's 'Psyche, Act II Scene 1: Dance of Priests' came out on September 23, 2022. With Psyche, Act II Scene 1: Dance of Priests being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Matthew Locke, Ensemble Correspondances, Sébastien Daucé's "Locke: Psyche" album is number 17 out of 55. On top of that, France appears to be the country where this track was created. Based on our statistics, Psyche, Act II Scene 1: Dance of Priests's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Psyche, Act II Scene 1: Dance of Priests by Matthew Locke, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Sonata No. 4 in G Minor: VIII. Allegro | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Major | 3 | 2B | 131 BPM | ||
Psyche, Act III: Curtain tune | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A Major | 4 | 11B | 125 BPM | ||
Airs for the Winter: Golden Rod: II. Musette: Allegro moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 127 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | George Frideric Handel, B'Rock Orchestra, Dmitry Sinkovsky | D♭ Major | 4 | 3B | 119 BPM | ||
I Know That My Redeemer Lives | Matthew Locke, Michael Bawtree, Annabell McLauchlan, Zoë Milton Brown, Sarah Armstrong, David Rowland | G Minor | 0 | 6A | 101 BPM | ||
Concerto, GWV 308: III. Largo | Christoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel Abraham | B♭ Minor | 1 | 3A | 76 BPM | ||
Concerto Decimo Con L'Eco, B Dur: III. Spiritoso | Alessandro Marcello, Venice Baroque Orchestra | E Major | 1 | 12B | 69 BPM | ||
Sinfonia a quattro No. 2 in A Major, SF C777: II. Largo | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM |