Johann Friedrich Fasch, Veronika Winter, David Erler, Tobias Hunger, Matthias Vieweg, Rheinische Kantorei, Das Kleine Konzert, Hermann Max made "Mass in G Major, Gloria: IV. Gloria in excelsis Deo" available on November 2, 2018. With Mass in G Major, Gloria: IV. Gloria in excelsis Deo being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 35 in Fasch: Mass in G Major, Overture in A Major, & Ich danke dem Herrn von ganzem Herzen by Johann Friedrich Fasch, Das Kleine Konzert, Hermann Max. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mass in G Major, Gloria: IV. Gloria in excelsis Deo is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mass in G Major, Gloria: IV. Gloria in excelsis Deo by Johann Friedrich Fasch, Veronika Winter, David Erler, Tobias Hunger, Matthias Vieweg, Rheinische Kantorei, Das Kleine Konzert, Hermann Max is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 71 BPM | ||
Sonata In E Minor For Violin And Continuo: Moderato | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | E Minor | 2 | 9A | 103 BPM | ||
Overture (Suite) in D minor (arr. M. Fechner): VI. Menuet I - alternativement - Menuet II | Johann Friedrich Fasch, Virtuosi Saxoniae, Ludwig Güttler, Joachim Bischof, Werner Zeibig | B♭ Major | 2 | 6B | 167 BPM | ||
Recorder Concerto in F Major, FWV L:F6: III. Allegro | Johann Friedrich Fasch, Ensemble Marsyas, Pamela Thorby | D♭ Minor | 3 | 12A | 102 BPM | ||
Concerto No 1 in G major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 1 | 2B | 82 BPM | ||
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Mass in G Major, Gloria: V. Laudamus te | Johann Friedrich Fasch, Veronika Winter, David Erler, Tobias Hunger, Matthias Vieweg, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | F♯ Major | 3 | 2B | 62 BPM | ||
Overture No. 6 in B-Flat Major: IV. Menuett | Francesco Maria Veracini, Arte dell'Arco, Federico Guglielmo | A Major | 1 | 11B | 73 BPM |