Francesco Maria Veracini, Arte dell'Arco, Federico Guglielmo made "Overture No. 6 in B-Flat Major: IV. Menuett" available on January 1, 2009. With Overture No. 6 in B-Flat Major: IV. Menuett being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Veracini, F.M.: Overtures and Concertos, Vol. 1 by Francesco Maria Veracini, Federico Guglielmo. The song's track number on the album is #4 out of 22 tracks. Overture No. 6 in B-Flat Major: IV. Menuett is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Overture No. 6 in B-Flat Major: IV. Menuett by Francesco Maria Veracini, Arte dell'Arco, Federico Guglielmo has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Overture No. 6 in B-Flat Major: IV. Menuett being at 73 テンポ, the half-time would be 36 テンポ with a double-time of 146 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelle No. 5 for String Quartet: Adagio Espressivo | Jordan Zhu | B♭ Major | 3 | 6B | 134 BPM | ||
Sinfonia G-dur (1749): III. Presto | Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Major | 2 | 2B | 74 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Adriano in Siria, Act I: Act I Scene 7: Recitative: Idalma, io non intendo (Sabina, Idalma, Emirena) | Francesco Maria Veracini, Romina Basso, Lucia Cirillo, Roberta Invernizzi, Europa Galante, Fabio Biondi | D♭ Minor | 1 | 12A | 79 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
Violin Concerto in G Minor, JunP I. 1: I. Largo e staccato | Johann Georg Pisendel, Dmitry Sinkovsky, Il Pomo D'oro | F♯ Minor | 0 | 11A | 98 BPM | ||
Sinfonia in E Major: I. Gustoso | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |