Johann Friedrich Fasch, Ensemble Marsyas, Pamela Thorby made "Recorder Concerto in F Major, FWV L:F6: III. Allegro" available on June 16, 2014. The duration of Recorder Concerto in F Major, FWV L:F6: III. Allegro is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Recorder Concerto in F Major, FWV L:F6: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 30 in Fasch: Quartets and Concertos by Johann Friedrich Fasch, Ensemble Marsyas, Peter Whelan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Recorder Concerto in F Major, FWV L:F6: III. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Recorder Concerto in F Major, FWV L:F6: III. Allegro by Johann Friedrich Fasch, Ensemble Marsyas, Pamela Thorby is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Strings in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Simon Standage, Collegium Musicum 90 | A Minor | 2 | 8A | 123 BPM | ||
Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Suite Nr. 2 H-moll - 6. Polonaise - Arrangement Für Flöte Und Orchester | Philippe Racine, Simon Preston, English Chamber Orchestra | B Minor | 1 | 10A | 0 BPM | ||
Flute Concerto in G Major, QV 5:165: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | D Minor | 0 | 7A | 72 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: III. Affetuoso | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | A Major | 1 | 11B | 103 BPM | ||
Recorder Concerto in G Major, Op. 10, No. 4, RV 435: II. Largo | Antonio Vivaldi, Dan Laurin, Bach Collegium Japan | D♭ Major | 0 | 3B | 125 BPM | ||
Recorder Quartet in B-Flat Major: II. Allegro | Johann Friedrich Fasch, Epoca Barocca | A Major | 2 | 11B | 77 BPM | ||
The Fairy Queen, Z. 629, Act II: Air | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | B Major | 2 | 1B | 112 BPM | ||
Overture in G Minor | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM |